The Network of Cassinese Arts in Mediterranean Renaissance Italy

International Conference  organized by Alessandro Nova and Giancarla Periti

From the late fifteenth to the mid sixteenth century, an impressive corpus of architecture, sculpture, and painting was created to embellish monastic sites affiliated with the Benedictine Cassinese Congregation of Italy. A religious order of humanistically trained monks whose mobility among the network of Cassinese monasteries was paramount to their spiritual reformed agenda, the Cassinese fruitfully engaged with the most eminent artists and architects of the early modern period, supporting the production of imagery and architecture that was often highly experimental in nature.

The Cassinese Congregation constituted a spiritual infrastructure that spread across the northern, central and southern regions of Italy, through which not only monks but also works and models circulated, intersected, and interacted. The mobility and flow of artists, materials, and motifs tied together the reformed religious communities affiliated with the Cassinese Congregation and simultaneously connected an antique with a modern Christian artistic corpus. This system resulted in a virtual continuum linking works of architecture, sculpture, and painting, including the Byzantine church of San Vitale in Ravenna, the Norman cloister of Monreale (Palermo), and Raphael’s Sistine Madonna in Piacenza.

Scholarship has presented the Cassinese monks principally as learned patrons of ambitious but locally-inflected works created by credited Renaissance masters. But such an approach has obscured the fact that these modern instances of Cassinese Christian arts existed within a larger cultural network and coexisted with others of differing value, including the management of late antique buildings, the preservation of Byzantine mosaics, and the custody of poorly made votive images in popular shrines. Not only did these lesser-known episodes assure the survival of late antique arts, and artifacts of limited aesthetic appeal, but they also provided occasions for Renaissance masters active in Cassinese communities to confront alternative forms of antiquity in a dialogue among the arts for the reinvention of a modern Christianized art.

We thank the Istituto degli Innocenti for the collaboration.

http://www.khi.fi.it/5538717/20170316

Fai clic per accedere a 20170316_cassinese.pdf

 

Rispondi

Inserisci i tuoi dati qui sotto o clicca su un'icona per effettuare l'accesso:

Logo di WordPress.com

Stai commentando usando il tuo account WordPress.com. Chiudi sessione /  Modifica )

Google photo

Stai commentando usando il tuo account Google. Chiudi sessione /  Modifica )

Foto Twitter

Stai commentando usando il tuo account Twitter. Chiudi sessione /  Modifica )

Foto di Facebook

Stai commentando usando il tuo account Facebook. Chiudi sessione /  Modifica )

Connessione a %s...

Crea un sito o un blog gratuitamente presso WordPress.com.

Su ↑

%d blogger hanno fatto clic su Mi Piace per questo: